Accessories Anecdotes

AN • EC • D OTES

This week we are launching the blogazine anew, opening discourse about the world of accessories from the perspective of our new contributors and photographers. Monthly we will present: get the look, interviews, editorials, visual inspiration, and whatever strikes our fancy.  Check out this month’s offerings from Judith Leiber exhibit coverage, our favorite sunglasses to San Francisco street style.

 

Recent Posts

Rattlesnake Rings and Sun Bleached Bones: Welcome to Gogo Ferguson’s Jewelry

Painting of Gogo by West Fraser.

One cannot really speak of Gogo’s work without discussing Cumberland’s history, natural beauty, and the cultural remains it holds. Cumberland is 40 square miles which is not a bad size for paradise. For thousands of years this area and coastal Georgia was inhabited by indigenous people. It was first the Timucua Indians that lived on Cumberland, and they left their mark. There was a Spanish mission in the 1600s, Oglethorpe’s two forts erected in the 1730s, the Greene family, the Stafford plantation, descendants of freed slaves, and the Carnegies.  Now, a person could write a book on Cumberland, and in fact many people have done so.

Gogo’s grandmother painted by the artist, Ipsen, Boston.

Gogo is a direct descendant of Thomas Carnegie and granddaughter Lucy Ferguson, daughter of Margaret. Janet, aka Gogo, has quite a knack for finding fossils, like shark teeth and an eye unearthing interesting natural remains of all kind. Not to mention her interest in the Native American history of the island. She caught my attention, as someone who understand and appreciates nature. Her interests align with my anthropology and archaeological experience, but I was also drawn to her because of my jewelry obsession. With her work coming in different finishes or metals, the price points vary, allowing for one to buy multiples in silver or to focus on the 14k pieces depending on your style. 


Her work is really an extension of earth and all of its treasures, what it leaves behind, what it can teach us, the beauty of life and death. Like glittering glamorous fossils, her jewelry catches the eye without trying to hard.  My favorite pieces include her cast metal boars tusk necklaces and the rattlesnake rings. Delicate, yet tough at the same time…..her work is not restricted to jewelry.  I’d love to have one of her seaweed sculptures hung on my wall. Yes, she dabbles in sculpture and décor.

Gogo’s New England Seaweed Sculpture. From Gogo Nature Transformed.

I personally discovered the island when I was living in Atlanta about 10 years ago and have been going about once a year since.  At heart, I am a country girl who enjoys wildlife, nature, and the peace the island gives me. I relate to what many of the people drawn to Cumberland see, pure nature and history coexisting. You either love it or it’s not your cup of tea. You have two options in terms of staying on the island, take the national park service ferry over and camp out or stay at the historic Greyfield Inn, still owned by the Carnegies. There are a few private land holds, but nothing public. What you find there are wild beach trails, clean sand, and so much space for just an “island”. I did not stay at the Inn (which Lucy opened officially in the 1960s) until last year on my  birthday when I met the talented Gogo.  Her work is truly art, not just jewelry but an extension of her place in nature and Cumberland. Her line includes home goods, sculpture, and jewelry.  Mikhail Baryshnikov photographed on Cumberland’s beach by Annie Leibovitz in 1990 with Rob Besserer….explains his first experience with the island and Gogo:

“Like many, my first experience of Cumberland Island was a field trip of sorts. I wanted to see the wild horses that famously roam its dunes-relics, like so many things on Cumberland, of past attempts at domestication. What I didn’t expect was the mystery, the majesty, and the simple raw beauty of the place.

I don’t exactly remember when my encounters with Cumberland led to meeting Gogo, but at least thirty years ago, when she welcomed me into her modest house with a bright smile and the offer of an oyster roast, it was clear that she and Cumberland were two parts of an organic whole (Gogo Nature Transformed, Introduction 11).

The ruins of the Carnegie’s Dungeness. Another earlier home site also burned in this same location.

Her work has garnered lots of press, celebrity wearers, magazine articles, and even her own exhibit at the High Museum of Art in Atlanta.  She grew up enjoying summers on the island and spending time with her ecologically minded grandmother Lucy, before finally returning to live there in the 1979, as a single mother.  Her work slowly evolved when she began making pieces for guests at the inn and looking back to her roots and the island. Her 1989 spread in People magazine, helped propel her work forward.  She designed the wedding rings for Carolyn Bessette and John in 1996. 

Interview:

What is your educational background and how do you use it in your life today?

I went to high school in Providence and art school in Massachusetts.

Favorite piece you ever designed or made?

That’s hard to say… each new piece I design becomes my favorite. But if I had to choose one for sentimental reasons it would be my logo which is made of rattlesnake rib bones and vertebrae. It was one of the first pieces I ever created and cast it into gold and silver. It symbolizes 30 years of blood, sweat and tears!

Gogo’s rattlesnake logo, from Gogo Nature Transformed.

 

Describe your process from start to finish.

My process is to be out in nature and walk the shore line after the tide comes in or after a storm and search for new inspiration. The design process is constantly running through my head. Every six hours, the tideline deposits new inspirations for me to discover. I’ll take it back to my studio and sometimes look at it for up to a year until I get a creative flash of what to do with it. The colors and patterns in nature are what are really mind boggling to me. They all have a purpose and I feel my place is to transform that into wearable art or something fabulous for the home.

What are your first memories of Cumberland?

Being a young child with my grandmother on the island – we constantly went clamming, horseback riding, and exploring the island. I learned from her about the land and how the magical process of nature worked on it.

Why do you think you feel so connected and inspired by it in terms of your work?

Seven generations of my family have lived on the island – it’s literally in my blood and I consider it the soul of my family. It is my sense of place on this earth and I feel very fortunate to call it home.

What other places have inspired your jewelry line?

Anywhere I travel — I was recently walking down the street in Martha’s Vineyard and saw a beautiful skeleton of a leaf on the ground. I now have it taped to my kitchen window where it will stay until I decide how I want to incorporate it into a design. I don’t have to be in an exotic location to be inspired… as long as there is raw nature to see and study.

How would you describe Lucy’s role in your work or understanding of the island?

Lucy was an original naturalist. She taught me everything about the intricacies of the island and to respect it and always learn from it. She had a keen sense of her surroundings — she was deaf at an early age so her sense of nature was far more attuned than most peoples. She handed that wisdom down to us.

What piece do you wear from your jewelry line?

Everything! I am always wearing multiple pieces everywhere I go. I’m currently wearing a new arrowhead opera-length necklace, dolphin disc necklace, rattlesnake rib bone earrings, sea urchin ring, rattle snake multi rib cuff, and a spiny murex conch cuff. I think that’s the great thing about my line…they are all statement pieces, but they all complement each other very well.

Do you feel your jewelry or home decor is art or sculpture?

Art — that is my goal — to design pieces that are wearable art or functional art for the home that then inspire the owner and those around them who see it.

Your work is now made in the artist community in San Miguel de Allende, please describe your relationship to them and Mexico city?

I started going to SMA in the late 60s through an artist program with the Rhode Island School of Design. I fell in love with San Miguel, its architecture and the culture. I have been going back ever since and now own a home there. I work closely with a local artist named Julio Miguel who I take my inspirations to and work with him on transforming them into designs. I’ve brought him to Cumberland so he could see the island firsthand and understand my source of inspiration. I have great respect for Julio and his creative talents.

 

Describe your work with Nicole Miller if possible?

Nicole is a dear old friend of mine who often hosts shows for me in NYC. She also designed a beautiful silk custom-made scarf with a map of Cumberland Island on it to commemorate my High Museum exhibit in Atlanta. We still have them in stock and they serve as a great souvenir of Cumberland.

Do horses at all inspire your work or design, experiencing them riding with Lucy and then as they are now on the island daily? Yes, the horses have been on the island since the1500s. They’ve acclimated beautifully to the island and I love that we all live symbiotically.

What is your work day like? I understand you typically “work” and “hunt” during the fall and winter or early spring?

I explore and hike year round, but when I’m on Cumberland I love to walk the tideline to see what has washed up, especially after a big storm comes. I find sharks teeth, shark vertebrae and other natural treasures.

Gogo’s collection of prehistoric shark teeth, most she found and some from her grandfather.

Speaking of home, I have seen inside of your house and the decor is pretty fabulous, as is the history of the home’s construction. Can you speak about it a bit and how you decorate?

Thank you. I always incorporate nature into my home. Deer antlers become towel racks, shark vertebrae become door pulls. Driftwood becomes center pieces for the table. My husband Dave and I designed the house and built most of out of reclaimed items from old carriage houses and barns on the island.

Is it fair to say you have a gift for finding artifacts and fossils as well as the bones you use in your work? Is this something that you have worked at?

I think I have a natural eye for seeing unusual things in nature and I have reinforced it over the years.

What is your most current line and is there a new piece or commission you are currently designing? I created a line of pearl designs to mark my 30th year in business this year that have been very popular. I also just finalized an arrowhead pendant that comes in gold-plated, rhodium, and brass. This one is great because both women and men can wear it.

Are you experimenting with any new materials or ventures? The above-mentioned arrowheads are all made of new materials.

What piece of jewelry can you not live without?

Raccoon penis bones! I make earrings, bracelets and necklaces out them and they are the best conversation starter ever.

Raccoon Penis Bone Earrings. GogoJewelry.com image.

Do you have any books you would recommend for those discovering Cumberland for the first time? There are great photography coffee table books by my cousin, Mary Bullard. I would love to do one of my own, to showcase the island through my eyes.

What is your trunk show agenda like, how can people interested in your work see it off of the island. I know you spend time in Martha’s Vineyard? We are on the road frequently for shows, and I love to do speaking engagements. I have my summer shop on Martha’s Vineyard in Vineyard Haven that is open through September. My shop on Cumberland is open year-round, and we have a permanent store on Saint Simons Island. We have wholesale accounts in Atlanta, Charleston, Fernandina Beach, and Memphis, and of course the website is always open for business!

Describe how your jewelry has evolved from the very first pieces to now?

I have never try to deviate from natures designs, however over the years I have begun to combine precious stones to some of my beads.  I have evolved in growing my line into homewares, serving spoons of New England sea clams, cockle shells, oyster and mussel servers, candle holders of seed pods, sea urchins and votives of Maine sea kelp.  I am always transforming in my mind the treasures i have found on the tideline or in the forests to some wearable of functional piece, it is how I look at my surroundings. 

I know your daughter was involved in your business, has continued?

My daughter Hannah remains as creative as ever and even though her priority immediately is raising her precious son Ronan Zephyr Carnegie Thomas, she has started her own line in England where she now lives.  One of her designs was auctioned at the Princess Trust for the largest amount in the auction.  I am so proud of her and know that she will soar, she is so very creative.

What do you hope your legacy will be and the future of your brand?

My desire is for my designs to be considered art, that my clients become collectors and understand and appreciate the beauty and perfection of natures designs.  

www.gogojewelry.com

CBS Sunday Morning

High Museum Feature

Book List:

Gogo Nature Transformed. Sarah Schleuning. High Museum of Art.

Cumberland Island: A History (Wormsloe Foundation Publication Ser.)Mar 1, 2005

Cumberland Island (GA) (Images of America)Jun 9, 2004

by Patricia Barefoot

Wild Horses of Cumberland Island – Pre order… November 30, 2017

by Anouk Masson Krantz (Author), Oliver Ferguson (Foreword)

Cumberland Island: Strong Women, Wild Horses. June, 2004

MY PICKS:

Gogo 14k Armadillo Shell Cuff. GogoJewelry.com image.

Spiny Murex Conch Cuff. GogoJewelry.com $295.

Boars Tusk Cuff. GogoJewelry.com $50.00

Boars Tusk Pendant. $200. GogoJewelry.com

Seaweed Necklace. $450. GogoJewelry.com

Rattlesnake Double Rib Ring. Gold/Silver. $425. GogoJewelry.com

Alligator Scute Earrings. $150. GogoJewelry.com

  • All photography unless otherwise stated, taken by Sara Brandon the author, rights reserved Sarara Couture. Images of jewelry displayed reflect her original and personal shop/home experience on Cumberland.

Nashville: Secret Designer Shopping Spot

If you have been following me on instagram this month, you know that I’m back in the my old southern stomping grounds. From Nashville to Atlanta and St. Simons. My stop back in Nashville to see dear old friends has me wishing I was headed back… I have been hearing for a couple of years about how the city is undergoing a renaissance, but little did I know to what extent.  There’s a whole new hipster crowd, some imported from Brooklyn, of course. This seems to be concentrated in the Belmont- Vanderbilt area….East Nashville.  There is a decidedly country spin on organic healthy living coupled with the way Nashville does the arts and music that I find comforting.  The historic homes all over the city are being renovated or sadly in some cases torn down. The new construction is everywhere from communities to detached modern style homes.  I will say I did not see any extremely tall buildings while there this round, also a comfort.

Some of My Favorite Neighborhood and Their Vibes:

Belle Meade:

Belle Meade is still well established homes in an appointed sprawling area welcoming us with a horse and ample roads, quietly meandering to homes with large yards. The area is a mix of mansions and older mid century as well as ranch homes.

Richland-West end:

Has an old luxurious history vibe of well established money and has attracted a mix of successful creative types.

Belmont / 12th:

This is the area I stayed in this trip. My friend’s homes are amazing, but with beagle in tow I decided to give them some personal space. My arbnb was right in the heart of the historic bungalows, with walkability to 12th Avenue south and Hillsboro village shopping.  It is a fun area with a young style and it seems to be also currently under construction, with newer homes and mostly historic renovations happening. Belmont was once the home of America’s riches woman, Adelicia. The area derives the name from that historic site.

Green Hill- Hillsboro area:

This is the sort of higher end shopping destination. Green Hills is near Belle Meade with homes starting a bit more accessibly and in the style of Bungalows and Cape Cods.

UAL (United Apparel Liquidators est. 1980)

While there are lots more area neighborhoods to explore, the point of my post today is to introduce you to one of my secret favorite spots to hunt couture and designer pieces at a mere fraction of the cost. No this is not the American Picker’s shop, but don’t forget to stop in there if you are a fan. While talking to the owner and taking pictures, one of the customers said “How fun, but don’t go letting too many people know”.  This is the general consensus about UAL. This brand is a southern staple with locations in Texas, Louisiana, Tennessee, and Mississippi… And why is that you may ask? The deep discounts on Marni, Escada, Prada, Givenchy, Zac Posen,Rag and Bone, Lanvin and frankly whatever new designer piece that comes in- which for some reason did not sell. Thus the over flow was sent to them.  Their shoe section, bags, and especially jewelry is well stocked.

You can find the Chanel bags and rarer things in the cases. New and older established high end jewelry around the counter. While there is a dig style feel to the shop in some ways, once you scratch the surface you realize what is there! The inventory and brands carried change frequently and you never know what you might find. After a close friend and Nashvillite showed me this store years ago it has been on my must stop in list every year.  What is nice is the really young new vibe to the store’s selection. These pieces somehow are not the total cast offs and bad designs. They are hip!

My online picks. Jewelry selection here is also not too shabby. I have a mind to buy those Rosie earrings right now!

How deep are the discounts: Well something that retails for 1000 maybe 200 or something that is 300 may go to 60.  Not to mention if you catch their sales on top of those prices.  They have 2 Nashville locations one in the West End and another in Hillsboro Village as well as an online site. Nothing compares to being there in person to score the deals!

So here are some images of my shopping trip to the West End location in the hopes I’ve added a secret Nashville source to your list:

 

Facades: Bill Cunningham- A Book Review

For anyone who has a fascination or admiration for one Mr. Bill Cunningham, then I have a book review for consideration. I decided to revisit a vintage book by the name of Facades done in 1978 by Bill Cunningham, introduced by Marty Bronson with model Editta Sherman. This whimsical book, organized by the enduring and iconic late Bill Cunningham, is a feast for the eyes. Fashion, vintage lovers, and red blooded New Yorkers alike should know what this classic is all about.  In 1948, Bill came to NYC to pursue a career in fashion. Before he dawned his bicycle to capture fashion on the streets of this fair city, he opened shop as a Millinery label William J.  After writing for WWD, he fell into his love of photography as a fashion journalist/ writer at the Chicago Tribune and the rest is history.

1900-1903 Flatiron Building. 5th Ave and 23rd. Designed by Daniel Burnham. Editta Sherman in era undergarments.

Facades, came about, as the book itself references; after 8 years of playing around with this labor of love. In the late 60s, he combined his love of cityscapes and began collecting antique and vintage clothing to photograph in front of architecture throughout the city. But what about a muse? We’ll get back to that key element…. Each era outfit was juxtaposed against the architecture and a chosen setting in the city. Both the clothing and building era correct. I find it intriguing that he thought of such a thing, why clothing? Well, I suppose this was the beginning of him sort of creating street style in the wake of the Seeberger Brothers.

As for muses, it was one alluring Editta Sherman who filled those shoes, lover of period clothing, photographer, mother, and artist. The “Duchess of Carnegie Hall”, referencing her home above Carnegie Hall for decades, cuts a great figure for each image which captures clothing from the 1700s-1960s.

“Bill carefully accessorized all the costumes with the proper shoes, parasols, wire bustles, gloves, and jewelry, sometimes even the underwear. When an authentic period hat was missing, out came his collection of felt, flowers, and ribbon, and he completed the picture with a reproduction based on careful research. The richness of Manhattan’s architectural settings was found beyond his greatest expectations. From Egyptian temples to Russian cathedrals, the locations were scouted by bicycle, Bill’s major means of transportation to this day. Success at matching the appropriate costume with the right location came as much from study as from intuition. Each location was carefully documented and dated through the many books available on the subject and through the files of the city’s architectural records”(Marty Bronson, introduction).

This work represents years of fashion and is in retrospect indicative of Bill’s life, talent, and relationship with the city. There is just so much in this book to look through and read, it is best enjoyed from cover to cover. Each image has a detailed description of the location’s history and era Here is a just a little taste…..

 

Mainboucher’s Jewelry Dress

“What you don’t do with a dress is at least (as) important as what you do, do. Too many gadgets can spoil the dress, just as surely as too many cooks, the broth.” A quote from Mainbocher while speaking to the Fashion Group of Chicago in 1940. The wise words above are from the Chicago History Museum’s catalog titled, Making Mainbocher: The First American Couturier’, which accompanies an exhibit of the same name currently on view at the Chicago History Museum through August 2017. It is the first exhibit focused solely on the designer, Mainbocher. This is fitting as Mainbocher was born on the West side of Chicago and attended the Chicago Academy of Fine Arts. Through a very circuitous route and no formal training, Mainbocher ended up in mid-life (age 40) becoming the first American Couturier in Paris.

Mainbocher’s designs were practical, exacting and tended to have an emphasis on minimalism. Mainbocher did not follow trends but set them. He was responsible for introducing the world to the short evening dress, jeweled sweaters, the cocktail apron, the strapless bodice, and reviving the corset eight years before Dior’s ‘New Look’.

Being a collector of vintage jewelry, I find the gowns that Mainbocher created in the 1940s to be the most appealing because of their jewelry-like embellishments. During World War II, because of fabric rationing and not wanting to appear too extravagant during war-time, Mainbocher repeatedly used the same dress silhouette. To create interest and make his gowns beautiful, he added embellishments. Oftentimes these embellishments looked like jewelry. They were beautifully constructed of beads, rhinestones and sequins and mimic the look of necklaces and bracelets.

Mainbocher was very exacting in his vision. By creating gowns embellished with ‘built-in-jewelry’, he could more easily ensure that a customer would not change his intended vision by trying to accessorize the gowns themselves. According to the curator of the exhibition, Petra Slinkard, Mainbocher did not disallow his clients to wear jewelry, but rather made it easier for them to forgo the selection. The use of trompe l’oeil as a design tool was one he revisited frequently, as evident in his 1940s designs.”

In 1947 Mainbocher created a red velvet strapless gown for Mrs. A. Watson Armour III. Although there was no neckline or cuffs to embellish, Mainbocher created bracelets and a choker made out of red velvet covered balls, beads and sequins to be worn with the dress in order to complete the look. When the fabric rationing of World War II ended, Mainbocher could turn his attention away from embellishments and concentrate more on textiles and garment construction to create beautiful clothing. He did, however retain his minimalist aesthetic and ascribe to the notion that, “Too many gadgets can spoil the dress.”

All rights reserved. Article by Stuart Mesires for Sarara Couture. Stuart is a vintage shop owner, as seen on 1stdibs and former fashion veteran.

JUDITH LEIBER: Crafting a New York Story

Photo by Jenna Bascom. Courtesy of the Museum of Arts and Design.

JUDITH LEIBER AT MAD

April 4-August 6, 2017

by Harrice Miller

The first time I met Judith Leiber was in the early 90s when we were both doing Personal Appearances at Saks. She looked so real, so like a kindly grandma, I was struck with the dissimilarity between her appearance and the wildly glamorous and bedazzling jeweled purses she designed. Decades later, at the opening of her exhibition, “Judith Leiber: Crafting a New York Story”, at the Museum of Arts and Design, Judith, now 96, sat regally with Gerson Leiber, her artist husband of many years at her side, like a queen whose adoring subjects were stopping by to pay their respects.

Judith with friends in Greece. Courtesy of Judith Leiber.

Photo by Jenna Bascom. Courtesy of the Museum of Arts and Design.

 

Photo by Jenna Bascom. Courtesy of the Museum of Arts and Design.

The exhibition illustrated, through a series of extraordinary, iconic purses, the story of her rise as a handbag apprentice in her hometown of Budapest during World War II, to the last bag she designed before her retirement, in the shape of a jeweled peacock in 2004. In 65 years in the handbag industry, Judith revolutionized the concept of craftsmanship, with her bags ranging from beautifully fashioned leather and textiles to the Swarovski crystal-encrusted figural bags we know today to be her signature look. From the founding of her company Judith Leiber Handbags in 1963 until 2004, she designed more than 3,500 bags. She began first with leather examples and designed her first metal bag in 1967. 

Exhibit image by Sarara Couture. This was the first metal bag Leiber created and it was based on a Chatelaine made in 1967.

Rare 1968 metal bag, by Judith Leiber. Image courtesy of Sarara Couture.

Judith’s handbags have been carried by First Ladies, Hollywood actresses and opera singers, including Mamie Eisenhower, Nancy Reagan, Barbara Bush, Greta Garbo, Mary Tyler Moore, Claudette Colbert and Beverly Sills. Current wearers of Leiber bags include; Chanel Iman, Kelly Osborne, Sarah Jessica Parker, Chrissy Teigen, Diane Kruger among many others. They are cherished the world over by collectors who are attracted to their often whimsical shapes including fruits, vegetables, animals, birds, foo dogs, books, musical instruments, sea creatures, Fabergé-inspired eggs and even a Buddha!

Photo by Jenna Bascom. Courtesy of the Museum of Arts and Design.

 

Handbags, wax models, personal letters, and archival photographs create an atmosphere that personalizes the woman behind her creations. Judith’s inspiration stemmed from her love of travel, art, textiles, and materials, creating a body of work that MAD envisioned as exploring the gendered significance of the handbag in the 20th century and in the importance of immigrant entrepreneurship to the fabric of New York.

Photo by Jenna Bascom. Courtesy of the Museum of Arts and Design.

The exhibition was curated by MAD’s Assistant Curator Samantha De Tillio, with the support of Curatorial Assistant and Project Manager Angelik Vizcarrondo-Laboy. Be sure to visit the Leiber Collection, the museum is located in the East Hampton hamlet of Springs, NY.

Relevant links:

http://www.leibermuseum.org

Purse Perfection: Judith Leiber on Faberge, Rhinestones, and Her Favorite First Ladies

How to do that 1980s Earring Thing…..

DION LEE swimsuit, Boohoo.com t-shirt, vintage Ehanel earrings and Gucci hat via 1stdibs. Popmap.com 80s inspired sunglasses, Mark and Graham beach bag.

So, the 1980s earring….part of me is afraid, having lived through the 1980s and the other half is esthetically happy. The style of the 1980s was a little punk, a bit geek, over the top, and let’s face it the jewelry was pure fun. Color, especially the primary and a new class of neons reigned. You can absolutely wear the 80s earring styles that we are seeing now, in a classic way or even with a modern take. I can’t tell you how many of these have been pulled for editorial shoots recently.  So, how should one wear it without looking like you stepped out of the DeLorean in Back to the Future? There are tons of new styles and vintage examples to choose from. However; the most important part of that undertaking is a base which is classic- use black, wear some jeans and a white t-shirt, the right sunglasses or fun shoes mixed in and a focus on well, those earrings- I say leave off all other jewelry.

1980s BillyBoy* earrings from my personal collection.

She inside Cap Sleeve T-shirt, vintage 80s lightening bolts from my collection, Citizens of Humanity Rocket jean, Tory Burch heel sandal, Rag and Bone Fedora…..

Lastly, really this new take on the 80s earring is about using the glamorous oversized sterling or rhinestone earring worn in a clever modern way…. But for that to happen one must pull in their own style as well.  Maybe that is your signature curly hair, or lip color!

Collection of Wendy Gell earrings. She was featured in magazines from Vogue to Elle in the 70s and 80s.

Sterling silver 80s examples from the image archive.