Anthropology of Jewelry: A Look at Jewelry Worn in Tibetan Buddhist Sculpture

Gorgeously detailed set of doors displayed at the Rubin, looks similar to Yama depicting death, the lord of Impermanence (Death). However with the flaming eyebrows appears to be Mahakala a wrathful but more gentle Tibetan icon. He protects monasteries. So this explains him being on an old monastery door.

Buddism in its early inception in India, was not particularly visually represented as much as it was practiced or taught. As it spread, the use of sculpture and idols, as well as art in various forms became central to its expression, especially in Tibet. Buddism is ultimately about death, birth, and what we do in the world of the living. Key symbols like the wheel, which is said to have been part of the origins of Buddhism, are seen throughout the art forms. The wheel is complex, relating to death, which is often depicted in artwork along with a demonic style figure called Yama. This shows our lives are ruled by core principles like impermanence, suffering, rebirth, and passion. All of these elements can help us grow. There are “realms or levels” and 6 worlds depicted in the wheel. The Bhavachakra or wheel is often found on textiles and outside temples.  All of Buddha’s teachings are symbolically illustrated so that one can ultimately follow a path to liberation from the earthly elements that bind us, these teachings unite all creatures not just humans, to an ultimate possible Nirvana.  To try to explain all of Buddhism here is an impossibility, and most certainly a book, course, and lifetime is needed to grasp it entirely. So, for those interested in learning more about the history of Buddhism and Tibetan practices, I am including a list of suggested readings in this post.

Sculpture and Jewelry:

In terms of adornment and symbolism, the Tibetan sculptures are rich. I want to focus on the jewelry worn in the sculptures in an attempt to understand the relationship between religion, cultures, and adornment. What can we learn? Well, to start I went to see an exhibit on Tibetan Buddhism, textiles, and sculpture at the Rubin museum of art in New York. These objects were once used in a spiritual context and the deities they represent are invoked, see this Christies article for more.  I toured some exhibits and permanent installations, as their focus is on Himalayan examples. What did I see?

Interestingly enough the snake which I so love in the form of jewelry, has the meaning of one of the three fires which keep us from enlightenment in life (greed, ignorance, and hatred).  They hold fast to each other in a circle. This can be seen in the Dharma wheel (a visual representation of Buddha’s core teachings).  These obstacles prevent a good rebirth. Depending on what kind of level you are reborn into, the animal or human etc reflects the level of suffering one may endure. In the wheel, even gods can die and exist on a lower level than those who escaped this cycle.  Thus, with so many levels and beings trying to work their way out, it is believed that those on the animal realm should be treated considerately by humans.

The Dharma Wheel and Jewelry:

The statues depict the second Buddha, Buddha, and forms that have escaped the cycles of the wheel or life and death.  Many statues sit on a lotus flower in these pieces, which symbolizes having grown above the attachments of life. I think we can deduce that the earrings and hats have a strong symbolic significance for the figures as they repeat throughout. Notably, these Dharma wheel style earrings are very interesting as they are found in quite a few examples at the Rubin. There are eight raised circular areas in this earring’s overall circle, with one central stone. Possibly, a reference to the eight spokes or paths coming from the center.

Padmasambhava or the second Buddha as he is sometimes referred wearing symbols like the sun and moon on his hat. The moon symbolizing liberation. The hat as the museum description below states is a symbol for his lotus birth.

However, in the piece below the earring features 6 turquoise stones. These could symbolize 6 realms on that wheel. Again, the center of the wheel being the circle in which we find the 3 poisons or fires. The wheel is believed to have been designed by Buddha, so its symbols are important additions to such statues.

Note the body jewelry used to adorn this figure. On this object the jewelry has the appearance of another wheel in the middle.


The Monster: While there is the death symbol, as described here below-there are deities that set up obstacles, but also protect tantric traditions.

The skull adornment on this figure in the form of a crown and necklace is central to the theme. We see skulls on Yama, but this figure doesn’t quiet appear to be him, but the skulls remind us of death and impermanence.


The Tantric:


Again the crown appears to be the most symbolic featuring skulls, the rest of the jewelry seems to be more for beauty or in the popular styles of the time. These royal style jewels and crowns are indicators of the tantric deities.

For tantric deities that are female, the pose and belts seem to highlight the importance of that female power. Again the jewelry is beautifully done.

The amount of jewelry here again signals status and tantric deities. Firstly all of the jewelry present is quite striking. There is body jewelry that can be seen again across the stomach and legs.

Symbols are held in the hands as well, I think I see the lotus in one hand.



This has been a fruitful exercise in the exploration of how jewelry is central to social cues, religions, genders, and power. The fact that jewelry was so intricately done and included in these relics indicates the importance of their role in Tibet. They took the time to not only include them, but to set stones like turquoise inside the examples.  Turquoise in Tibet is a stone which relates to the soul, symbolizes a higher status, is worn by brides, used in amulets ( some of the earrings and such above have an appearance similar to Tibetan amulets), and is related to prosperity and wellness.

The Rubin Museum in New York city houses some amazing examples and revolving exhibits. Their bookstore is also very interesting! I hope to continue to explore the anthropology of jewelry again soon.


Awakening from the Daydream. David Nichtern.

Zen Mind Beginner’s Mind. Suzuki Roshi

The Art of Happiness. The Dalai Lama

The Tibetan Book of Living and Dying. Sogyal Rinpoche.

The Teachings of Buddha. Jack Kornfield.

Tibetan Religious Art Book. Antoinette K. Gordon.

Buddist Symbols in Tibetan Culture: An Investigation of the Nine Best-Known Groups of Symbols. Dagyab Rinpoche.

The Art of Buddhism: An Introduction to Its History and Meaning. Denise Patry Leidy.

Ulrich von Schroeder’s complete set: Indo-Tibetan Bronzes.


Sunday Jewelry Report Card: Tactile Offerings From Charolette Garnett


What if there was jewelry that excited the senses and calmed the anxious fingers?  Well, there is, enter Charolette Garnett. Her instagram and jewelry are the focus of our A++ Sunday jewelry report card rating this week. Just looking at her work, which I stumbled upon via instagram, has me a notch calmer. Not to mention taking all of that out, the pieces are just beautiful and sculptural. Charolette is a British graduate and works out of Alexander McQueen Sarabande studios. She is one to watch in the fashion jewelry art world. Her future seems bright. She combines textures, feelings, and emotion into her rings and other pieces. I have a list started of the jewelry I’d love to have that I am including here. Her instagram account was picked by the blog because, although relatively new, it is extremely visually pleasing. There is also something exciting about following someone who is in a phase of grow and will be producing new ideas for us to partake in. Featured recently in publications like Harper’s Bazaar Brazil and more her audience is on the rise.

New previews of things to come via her instagram account!

Her newest objects of desire mix ebony, 18K, bronze, and resin… These “pebbles are quite magical.

My obsession:

Shaun Leane Maker of McQueen’s Armor. Auction and Sale Highlights from His Collection.

Sotheby’s catalogue image.

Classically trained goldsmith Shaun Leane and Alexander McQueen made magic together. I have long admired the fantasy that they created together. The pieces made by Shaun are stunning, oversized, full of whimsy, pain, and pays homage to the idea of armor.   As Alexander McQueen once said,

“I especially like the accessory for its sadomasochistic aspect”…

In one moment all of those intense feelings were expressed via their collaboration during each season. Now with the impending sale of Shaun’s personal archive from the McQueen years, I wanted to revisit his work and some of the iconic pieces that will be presented by the joint Sotheby’s and Kerry Taylor Auctions event.

One of the most interesting quotes concerning how they began comes from an equally great interview via Shaun and hint magazine:

“Lee, how are we going to afford to make jewelry? He said, well we won’t make it in gold. We’ll use other materials like silver or brass or aluminum. If you just apply those skills to other mediums you can create anything. That changed everything for me” (Shaun Leane, hint magazine).  Follow link for more.

They were friends first and both from London, but each embraced the challenge of their work as fashion and art, pushing the boundaries so far that the accessories often held a bit of danger in the wearing of them. Runway pieces took months to complete and models sometimes had to be screwed into their “accessories”.  I admire their work together because they pushed those boundaries, the viewer, and the body to the brink.  I wish I could own every piece. I love how tough they, are as well as how beautifully they armed the wearers. Daphine Guinness describes what it is like to wear his pieces via the Sotheby’s interview about her iconic Shaun made glove which is going to be in this sale:

Whether it be the glove or other accessories, what is it like to wear Shaun’s pieces?
There’s a feeling of being amplified. You’re augmented in the right sense of the word. It is empowering, and I also feel he’s with me. He’s my great friend, and it’s lovely to know I’ve got something of his on me, protecting me like an amulet (Daphine Guinness, via Sephanie Sporn for Sotheby’s). Follow the link for the complete interview.

Here is a quick list of my favorites from the upcoming December auction. All images from the Sotheby’s catalogue-


Lynn Ban in Sarara Couture Vintage French Theater Headdress

Our clients are the best, but some excel in their use and rebirthing of the vintage accessories they buy from us! Lynn Ban designs inspirationally modern and tough jewelry, working with celebs and magazines regularly. However, what many don’t know is that her collection of vintage accessories, which our two 1960s headdresses joined, is beyond inspiring. In fact she is behind many editorial moments as she styles as well. If you follow her instagram feed you will be inundated with artistic direction and accessories overload to the max and we love it!

Lynn in Rococo Candyland:

French Headdress now in the collection of Lynn.

If You’re Not Getting The Apple Smartwatch Series 3, Which of These Modern Hybrids Are You Buying?

apple smartwatch series 3

Wearables like the Apple smartwatch, which recently released the series 3, blur the line between fashion and tech, but hybrid smartwatches are blending them! The concept of a hybrid watch is exactly like what it sounds like—classic analog designs built with digital screen displays and hi-tech features like fitness tracking, notifications, electronic payments, voice control, and geolocation services. And to make sure it doesn’t go the way of the Google Glass and lives up to its purpose of being wearable, brands are paying more attention to design. Meaning these modern watches have stylish, interchangeable bands, customizable faces and versatile colors to match your wardrobe or your personality.


Here are our picks for the most wearable hybrid timepieces that can compete with the Apple smartwatch, because a gal needs options:

1. Fossil Gen 3 Smartwatch – Q Venture Rose Two-Tone Stainless Steel

2. Pebble Time Round

3. Samsung Gear S2

4. Kate Spade New York Gold-Tone and Vanchetta Leather Metro Hybrid Smartwatch

5. Misfit Shine 2

6. Marc Jacobs Riley Hybrid Smartwatch

7. Moto 360

8. Asus ZenWatch 2

9. DKNY Minute – Coming soon

10. Tory Burch The Collins – Coming soon

Meet Gogo Ferguson: Rattlesnake Rings and Sun Bleached Bones

Painting of Gogo by West Fraser.

One cannot really speak of Gogo Ferguson and her work without discussing Cumberland’s history, natural beauty, and the cultural remains it holds. Cumberland is 40-square-miles which is not a bad size for paradise. For thousands of years this area and coastal Georgia was inhabited by indigenous people. It was first the Timucua Indians that lived on Cumberland, and they left their mark. There was a Spanish mission in the 1600s, Oglethorpe’s two forts erected in the 1730s, the Greene family, the Stafford plantation, descendants of freed slaves, and the Carnegies.  Now, a person could write a book on Cumberland, and in fact many people have done so.

Gogo’s grandmother painted by the artist, Ipsen, Boston.

Gogo is a direct descendant of Thomas Carnegie and granddaughter Lucy Ferguson, daughter of Margaret. Janet, aka Gogo, has quite a knack for finding fossils like shark teeth and eye-unearthing natural remains of all kind. Not to mention her interest in the Native American history of the island. She caught my attention as someone who understands and appreciates nature. Her interests align with my anthropology and archaeological experience, but I was also drawn to her because of my jewelry obsession. The pieces comes in different finishes or metals and the price points vary, allowing for one to buy multiples in silver or to focus on the 14k pieces—depending on your style. 

Her work is really an extension of earth and all of its treasures, what it leaves behind, what it can teach us, the beauty of life and death. Like glittering glamorous fossils, her jewelry catches the eye without trying to hard.  My favorite pieces include her cast metal boars tusk necklaces and the rattlesnake rings. Delicate, yet tough at the same time, though her work is not restricted to jewelry.  I’d love to have one of her seaweed sculptures hung on my wall. Yes, she dabbles in sculpture and décor.

Gogo’s New England Seaweed Sculpture. From Gogo Nature Transformed.

gogo ferguson conch and seaweed jewelry

I personally discovered the island when I was living in Atlanta about 10 years ago and have been going once a year since.  At heart, I am a country girl who enjoys wildlife, nature, and the peace the island gives me. I relate to what many of the people drawn to Cumberland see—pure nature and history coexisting. You either love it or it’s not your cup of tea.

There are two options in terms of staying on the island. Take the national park service ferry over and camp out or stay at the historic Greyfield Inn, still owned by the Carnegies. A few private land holds exist, but nothing public. What you find there are wild beach trails, clean sand, and so much space for just an “island”. I did not stay at the Inn (which Lucy opened officially in the 1960s) until last year on my birthday when I met the talented Gogo Ferguson.  

Her work is truly art, not just jewelry but an extension of her place in nature and Cumberland. Her line includes home goods, sculpture, and jewelry.  Mikhail Baryshnikov photographed on Cumberland’s beach by Annie Leibovitz in 1990 with Rob Besserer explains his first experience with the island and Gogo:

“Like many, my first experience of Cumberland Island was a field trip of sorts. I wanted to see the wild horses that famously roam its dunes-relics, like so many things on Cumberland of past attempts at domestication. What I didn’t expect was the mystery, the majesty, and the simple raw beauty of the place.

I don’t exactly remember when my encounters with Cumberland led to meeting Gogo, but at least thirty years ago, when she welcomed me into her modest house with a bright smile and the offer of an oyster roast, it was clear that she and Cumberland were two parts of an organic whole (Gogo Nature Transformed, Introduction 11).

The ruins of the Carnegie’s Dungeness. Another earlier home site also burned in this same location.

Gogo’s jewelry designs have garnered lots of press, celebrity wearers, magazine articles, and even her own exhibit at the High Museum of Art in Atlanta. She grew up enjoying summers on the island and spending time with her ecologically minded grandmother Lucy, before finally returning to live there in the 1979 as a single mother.  Her work slowly evolved when she began making pieces for guests at the inn and looking back to her roots and the island. Her 1989 spread in People magazine helped propel her work forward. She designed the wedding rings for Carolyn Bessette and John in 1996. 


What is your educational background and how do you use it in your life today?

I went to high school in Providence and art school in Massachusetts.

gogo ferguson boars tusk necklace

Favorite piece you ever designed or made?

That’s hard to say…each new piece I design becomes my favorite but if I had to choose one for sentimental reasons it would be my logo which is made of rattlesnake rib bones and vertebrae. It was one of the first pieces I ever created and cast it into gold and silver. It symbolizes 30 years of blood, sweat and tears!

Gogo’s rattlesnake logo, from Gogo Nature Transformed.


Describe your process from start to finish.

My process is to be out in nature and walk the shore line after the tide comes in or after a storm and search for new inspiration. The design process is constantly running through my head. Every six hours, the tideline deposits new inspirations for me to discover. I’ll take it back to my studio and sometimes look at it for up to a year until I get a creative flash of what to do with it. The colors and patterns in nature are what are really mind boggling to me. They all have a purpose and I feel my place is to transform that into wearable art or something fabulous for the home.

What are your first memories of Cumberland?

Being a young child with my grandmother on the island – we constantly went clamming, horseback riding, and exploring the island. I learned from her about the land and how the magical process of nature worked on it.

Why do you think you feel so connected and inspired by it in terms of your work?

Seven generations of my family have lived on the island – it’s literally in my blood and I consider it the soul of my family. It is my sense of place on this earth and I feel very fortunate to call it home.

What other places have inspired your jewelry line?

Anywhere I travel. I was recently walking down the street in Martha’s Vineyard and saw a beautiful skeleton of a leaf on the ground and now I have it taped to my kitchen window where it will stay until I decide how I want to incorporate it into a design. I don’t have to be in an exotic location to be inspired as long as there is raw nature to see and study.

How would you describe Lucy’s role in your work or understanding of the island?

Lucy was an original naturalist. She taught me everything about the intricacies of the island and to respect it and always learn from it. She had a keen sense of her surroundings — she was deaf at an early age so her sense of nature was far more attuned than most peoples and she passed that wisdom down to us.

What piece do you wear from your jewelry line?

Everything! I am always wearing multiple pieces everywhere I go. I’m currently wearing a new arrowhead opera-length necklace, dolphin disc necklace, rattlesnake rib bone earrings, sea urchin ring, rattle snake multi rib cuff, and a spiny murex conch cuff. I think that’s the great thing about my line…they are all statement pieces, but they all complement each other very well.

gogo ferguson gold silver jewelry

Do you feel your jewelry or home decor is art or sculpture?

Art — that is my goal — to design pieces that are wearable art or functional art for the home that then inspire the owner and those around them who see it.

Your work is now made in the artist community in San Miguel de Allende, please describe your relationship to them and Mexico city?

I started going to SMA in the late 60s through an artist program with the Rhode Island School of Design and fell in love with San Miguel, its architecture and the culture. I have been going back ever since, now own a home there and also work closely with a local artist named Julio Miguel who I take my inspirations to and work with on transforming them into designs. I’ve brought him to Cumberland so he could see the island firsthand and understand my source of inspiration. I have great respect for Julio and his creative talents.


Describe your work with Nicole Miller if possible?

Nicole is a dear old friend of mine who often hosts shows for me in NYC. She also designed a beautiful silk custom-made scarf with a map of Cumberland Island on it to commemorate my High Museum exhibit in Atlanta. We still have them in stock and they serve as a great souvenir of Cumberland.

Do horses at all inspire your work or design, experiencing them riding with Lucy and then as they are now on the island daily?

Yes, the horses have been on the island since the1500s. They’ve acclimated beautifully to the island and I love that we all live symbiotically.

What is your work day like? Do you typically “work” and “hunt” during the fall and winter or early spring?

I explore and hike year round, but when I’m on Cumberland I love to walk the tideline to see what has washed up, especially after a big storm comes. I find sharks teeth, shark vertebrae and other natural treasures.

Gogo’s collection of prehistoric shark teeth, most she found and some from her grandfather.

Speaking of home, I have seen inside of your house and the decor is pretty fabulous, as is the history of the home’s construction. Can you speak about it a bit and how you decorate?

Thank you. I always incorporate nature into my home. Deer antlers become towel racks, shark vertebrae become door pulls. Driftwood becomes center pieces for the table. My husband Dave and I designed the house and built most of out of reclaimed items from old carriage houses and barns on the island.

Is it fair to say you have a gift for finding artifacts and fossils as well as the bones you use in your work? Is this something that you have worked at?

I think I have a natural eye for seeing unusual things in nature and I have reinforced it over the years.

What is your most current line and is there a new piece or commission you are currently designing? 

I created a line of pearl designs to mark my 30th year in business this year that have been very popular. I also just finalized an arrowhead pendant that comes in gold-plated, rhodium, and brass. This one is great because both women and men can wear it.

Are you experimenting with any new materials or ventures?

The above-mentioned arrowheads are all made of new materials.

What piece of jewelry can you not live without?

Raccoon penis bones! I make earrings, bracelets and necklaces out them and they are the best conversation starter ever.

Raccoon Penis Bone Earrings. image.

Do you have any books you would recommend for those discovering Cumberland for the first time?

There are great photography coffee table books by my cousin, Mary Bullard. I would love to do one of my own, to showcase the island through my eyes.

What is your trunk show agenda like, how can people interested in your work see it off of the island. I know you spend time in Martha’s Vineyard? 

We are on the road frequently for shows, and I love to do speaking engagements. I have my summer shop on Martha’s Vineyard in Vineyard Haven that is open through September. My shop on Cumberland is open year-round, and we have a permanent store on Saint Simons Island. We have wholesale accounts in Atlanta, Charleston, Fernandina Beach, and Memphis, and of course the website is always open for business!

gogo ferguson rattlesnake rings

Describe how your jewelry has evolved from the very first pieces to now?

I never try to deviate from nature’s designs, however over the years I began combining precious stones to some of my beads.  Part of my evolution was growing my line into homewares, serving spoons of New England sea clams, cockle shells, oyster and mussel servers, candle holders of seed pods, sea urchins and votives of Maine sea kelp.  I’m always transforming in my mind the treasures I found on the tideline or in the forests to some wearable of functional piece. It is how I look at my surroundings. 

Your daughter was involved in your business, has that continued?

My daughter Hannah remains as creative as ever and even though her priority immediately is raising her precious son Ronan Zephyr Carnegie Thomas, she has started her own line in England where she now lives.  One of her designs was auctioned at the Princess Trust for the largest amount in the auction.  I am so proud of her and know that she will soar, she is so very creative.

What do you hope your legacy will be and the future of your brand?

My desire is for my designs to be considered art, that my clients become collectors and understand and appreciate the beauty and perfection of natures designs.

CBS Sunday Morning

High Museum Feature

Book List:


Shop my personal picks from Gogo Ferguson:

Gogo 14k Armadillo Shell Cuff. image.

Spiny Murex Conch Cuff. $295.

Boars Tusk Cuff. $50.00

Boars Tusk Pendant. $200.

Seaweed Necklace. $450.

Rattlesnake Double Rib Ring. Gold/Silver. $425.

Alligator Scute Earrings. $150.

  • All photography unless otherwise stated, taken by Sara Brandon the author, rights reserved Sarara Couture. Images of jewelry displayed reflect her original and personal shop/home experience on Cumberland.



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Nashville: Secret Designer Shopping Spot

If you have been following me on instagram this month, you know that I’m back in the my old southern stomping grounds. From Nashville to Atlanta and St. Simons. My stop back in Nashville to see dear old friends has me wishing I was headed back… I have been hearing for a couple of years about how the city is undergoing a renaissance, but little did I know to what extent.  There’s a whole new hipster crowd, some imported from Brooklyn, of course. This seems to be concentrated in the Belmont- Vanderbilt area….East Nashville.  There is a decidedly country spin on organic healthy living coupled with the way Nashville does the arts and music that I find comforting.  The historic homes all over the city are being renovated or sadly in some cases torn down. The new construction is everywhere from communities to detached modern style homes.  I will say I did not see any extremely tall buildings while there this round, also a comfort.

Some of My Favorite Neighborhood and Their Vibes:

Belle Meade:

Belle Meade is still well established homes in an appointed sprawling area welcoming us with a horse and ample roads, quietly meandering to homes with large yards. The area is a mix of mansions and older mid century as well as ranch homes.

Richland-West end:

Has an old luxurious history vibe of well established money and has attracted a mix of successful creative types.

Belmont / 12th:

This is the area I stayed in this trip. My friend’s homes are amazing, but with beagle in tow I decided to give them some personal space. My arbnb was right in the heart of the historic bungalows, with walkability to 12th Avenue south and Hillsboro village shopping.  It is a fun area with a young style and it seems to be also currently under construction, with newer homes and mostly historic renovations happening. Belmont was once the home of America’s riches woman, Adelicia. The area derives the name from that historic site.

Green Hill- Hillsboro area:

This is the sort of higher end shopping destination. Green Hills is near Belle Meade with homes starting a bit more accessibly and in the style of Bungalows and Cape Cods.

UAL (United Apparel Liquidators est. 1980)

While there are lots more area neighborhoods to explore, the point of my post today is to introduce you to one of my secret favorite spots to hunt couture and designer pieces at a mere fraction of the cost. No this is not the American Picker’s shop, but don’t forget to stop in there if you are a fan. While talking to the owner and taking pictures, one of the customers said “How fun, but don’t go letting too many people know”.  This is the general consensus about UAL. This brand is a southern staple with locations in Texas, Louisiana, Tennessee, and Mississippi… And why is that you may ask? The deep discounts on Marni, Escada, Prada, Givenchy, Zac Posen,Rag and Bone, Lanvin and frankly whatever new designer piece that comes in- which for some reason did not sell. Thus the over flow was sent to them.  Their shoe section, bags, and especially jewelry is well stocked.

You can find the Chanel bags and rarer things in the cases. New and older established high end jewelry around the counter. While there is a dig style feel to the shop in some ways, once you scratch the surface you realize what is there! The inventory and brands carried change frequently and you never know what you might find. After a close friend and Nashvillite showed me this store years ago it has been on my must stop in list every year.  What is nice is the really young new vibe to the store’s selection. These pieces somehow are not the total cast offs and bad designs. They are hip!

My online picks. Jewelry selection here is also not too shabby. I have a mind to buy those Rosie earrings right now!

How deep are the discounts: Well something that retails for 1000 maybe 200 or something that is 300 may go to 60.  Not to mention if you catch their sales on top of those prices.  They have 2 Nashville locations one in the West End and another in Hillsboro Village as well as an online site. Nothing compares to being there in person to score the deals!

So here are some images of my shopping trip to the West End location in the hopes I’ve added a secret Nashville source to your list: